I’m over at Dear Author with a review of Never Been Kissed by Timothy Janovsky. Charming and sweet but I had a bit of cognitive dissonance around the stated age of the characters at times. Alice is a firecracker.
Tag: contemporary (Page 14 of 119)
The Wedding Crasher by Mia Sosa, narrated by Rebecca Mozo & Alastair Haynesbridge. A lot of fun and great narration.
The follow up to 2020’s The Worst Best Man, The Wedding Crasher features Lina’s cousin, Solange Pereira, and Max’s best friend, Dean Chapman.
The story is bookended by weddings – but I’m not going to say whose is at the end – you’ll have to listen to know. The wedding at the beginning is Dean’s – to Ella. Solange, roped in to helping out her makeup artist cousin, Natalia, at the wedding, overhears the bride-to-be professing her love to someone other than the groom. She’s not to know that Dean and Ella’s marriage was supposed to be a modern marriage of convenience. Still, exactly why Solange thinks it’s her place to stop the wedding remained a little unclear to me.
Because the marriage was based on friendship and mutual ambition, not ending up married didn’t crush Dean into dust – which does help him (and me, in the sense of believing him) when he falls into love with Solange only a few weeks later.
Dean is a lawyer for a big corporate firm on the partner track. He’s been working hard toward this goal for 8 years and it is within reach at last. A potential new hire (Kimberley) at the firm could bring with her a lucrative client (her father’s media business) and she has asked to spend time with some of the associates of the firms she’s interviewing with to get a feel for not just New York but the places where she might be working.
While the non-wedding didn’t damage Dean emotionally, it didn’t do him any favours professionally. An assumption is made that he’s crushed and therefore not the best person to show Kimberley and her partner around. If he can help lure Kimberley to the firm he’s a shoo-in for partner. His biggest rival (a jerk by the name of Peter) has also volunteered for the task. Peter is married so he’s likely to get the gig – until Dean concocts a story on the spot of he and Solange being old friends who realised they were far more to one another after the wedding-that-wasn’t. Now he just has to get Solange on board, keep up the lie to a suspicious Peter (they both get the chaperoning gig), lure the lawyer and win the partnership. Piece of cake.
Solange has a need for a fake relationship of her own as it happens. Her aunt and cousins from Brazil are coming into town soon and, following some peer pressure and family competitiveness, Solange’s mother has told them that Solange is at last in a happily committed relationship. No bother; Solange’s best friend is Brandon, her roommate. They can pretend to date while the cousins are in town. All good.
Okay, so the premise is pretty thin. But, if you can get past that (and I did) the rest of the story is fun, sexy and engaging. Dean has sworn off love for family reasons. Solange has vowed to never settle for anything less than true love for family reasons. Their chemistry is off the charts. Bingo bango bongo.
Peter tries hard to trip them up and set them up – which leads to some surprising engagements and steamy scenes which I won’t go into here. Again, fairly improbable but I liked it anyway.
The narration was great. Alastair Haynesbridge is a performer I’ve listened to before in a Cindy Gerard book and I was impressed by him then. Nothing in this listen changed that view. He has a touch of the Teddy Hamilton’s about him – he doesn’t have the same accent but there’s a similarity nonetheless.
Both narrators are called upon to say some Portuguese in the book. I’m no expert but the accent seemed pretty good to me from Mr. Haynesbridge. Ms. Mozo’s was better – likely from personal experience – but both were authentic.
The character voices of the various cast members were all very good, with the exception of one of Solange’s aunts who sounded (from Ms. Mozo) more like one of Marge Simpson’s sisters than I’d have liked. Otherwise, both performers gave a convincing depiction of the emotion on the page and brought their A-game when it came to Dean and Solange’s chemistry. There were perhaps a few too many improbabilities in the book but the strength of the narration easily overcame those issues.
Grade: B
I’m over at Dear Author with Janine & Sirius with an epic joint review of The Long Game by Rachel Reid. I have been hanging out for this book and it did not disappoint!!
Monthly Mini Review
Seatmate by Cara Bastone, narrated by Amanda Ronconi, Zachary Webber, Josh Hurley, Carol Monda, Corey Allen, Allyson Johnson, Eric Yves Garcia, Dina Pearlman & Tanya Eby – C I enjoyed the first two audio novellas in the Love Lines series – Call Me Maybe and Sweet Talk – so I was keen to listen to book 3, Seatmate. Unfortunately I didn’t find it as charming or engaging as the earlier two novellas which both were about the B+ range for me. Seatmate is a different story altogether. Rather than most of the relationship being on the phone as is the case with the earlier two books, this time, most of the plot takes place over about 5-ish hours during a journey between Boston and New York – first by bus and then by other means of transport. This time there is also a full cast rather than just the dual narration of the first two novellas. Seatmate was an almost real-time novella, whereas the other books take place over a greater period. For me, this meant that the boring bits were skipped in the first two books but not so much in the third one. Continue reading
I’m over at Dear Author with a review of Consider Me by Becka Mack. A friend from Twitter recommended this one to me and I gobbled it up like a packet of Maltesers. Loved. More please.
A Duke Worth Falling For by Sarah MacLean, narrated by Penelope Ann Rose. Entertaining with solid narration – though some issues with the English accent here and there.
Originally published as part of the Naughty Brits anthology, A Duke Worth Falling For is now out separately on audio and via ebook. It’s novella length at just over four hours of listening and so isn’t a big time investment. The story is necessarily fairly contained but nonetheless complete.
Lilah Rose was on her way to being the world’s best portrait photographer, a kind of up-and-coming Annie Leibovitz. But then she “turned down the wrong man” and he blacklisted her. She lost her career and for the past 18 months, has been travelling around the world finding her place in it again. She has been working on a project photographing various sustainable farms and their owners in various countries. She hopes the project will relaunch her career. She has a 10 day break before the launch in London and, based on a recommendation from a friend who knows the duke’s sister, is renting a small cottage on the estate of the Duke of Weston for some R&R until then.
When she meets “Max” on the estate after he rescues her from a marauding ewe, she believes him to be a land steward. And he is. What he doesn’t tell her is that he is also Rupert Maximillian Ardern, 14th Duke of Weston. Max has been burned by people wanting pieces of him for what he is and not who he is – or perhaps for wanting him for the “duke” part and not the “Max” part. So when he meets Lilah he is delighted when she treats him like a normal person and he can be sure she isn’t after anything more from him than his company.
After an initial poor start – Max isn’t a fan of photographers due to his own experience with celebrity – he makes a neat apology and he and Lilah share a friendly game of darts at the local pub (where she kicks his ass). The attraction between them is mutual and powerful and before long they are in a full-fledged fling for the remaining 9 days of Lilah’s stay. Neither thinks there can be anything else.
Max, for his part, understands that Lilah wants to go back to her life as a celebrity/portrait photographer which will mean a spotlight he eschews. Lilah thinks Max is the land steward and tied to the Salterton estate.
But over the next few days, they fall deeper and deeper and each begins to think of a possible future.
Of course the big conflict between them is the glaring omission of Max’s true identity and so the path to a HEA is not smooth. There is a “me too” moment too and a confrontation with the Harvey Weinstein-esque character responsible for blacklisting Lilah all those months ago.
The narration was pretty good. It’s clear that Ms. Rose is American but her British accent was mostly creditable. There were a few mispronunciations. Some of them made me laugh. (Cornish pasties are foodstuffs and not things you put on your nipples to cover them when stripping.) The British accent dipped in and out on occasion but overall it was fairly believable. There were various brands of English accent displayed too – some from locals and some from the upper echelons of society. I did wonder a little at the toffy English accent given to Arty (or maybe that is Artie? – I don’t have the print version) who I had though was from India? But maybe I was wrong about her heritage.
Lilah, of course, is American, so Ms. Rose’s natural accent worked just fine here.
She had a pleasing depth to her tone for Max as well.
Max was a little clueless about a few things but loyal and loving and Lilah was fierce and brave. Together they made a formidable and rather delightful pair.
Grade: B
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