My review of Flat Out Sexy by Erin McCarthy, narrated by Emily Durante is live at AudioGals. Come and say hi!
Category: B reviews (Page 66 of 74)
When Lincoln applied to be an Internet security officer, he hardly imagined he’d be sifting through other people’s inboxes like some sort of electronic Peeping Tom. Lincoln is supposed to turn people in for misusing company e-mail, but he can’t quite bring himself to crack down on Beth and Jennifer. He can’t help but be entertained-and captivated- by their stories.
But by the time Lincoln realizes he’s falling for Beth, it’s way too late for him to ever introduce himself. What would he say to her? “Hi, I’m the guy who reads your e-mail, and also, I love you.” After a series of close encounters and missed connections, Lincoln decides it’s time to muster the courage to follow his heart . . . even if he can’t see exactly where it’s leading him.
Written with whip-smart precision and charm, Attachments is a strikingly clever and deeply romantic debut about falling in love with the person who makes you feel like the best version of yourself. Even if it’s someone you’ve never met.
What worked for me (and what didn’t): This is an unusual book. Lincoln and Beth don’t actually (knowingly) speak or engage with each other until very near the end of the book. Usually, I’d hate that kind of story. I hated Sleepless in Seattle with a passion – Tom and Meg had like ONE SCENE together!! (Ditto with Serendipity). But, for the most part, it worked for me here. I think, that is mostly because the book is told from Lincoln’s POV. When I’m reading Beth and Jennifer’s emails, he is reading Beth and Jennifer’s emails. Lincoln is very present in the story – in the chapters comprised of emails, the reader IS Lincoln. In the other chapters, we are in Lincoln’s head.
<<Jennifer to Beth>> Now that I think about it, we’ve known each other six years, and I’ve never seen you in a bathing suit. Or a tank top.<<Beth to Jennifer>> Not a coincidence, my friend. I’ve got the arms of a Sicilian grandmother. Arms for picking olives and stirring hearty tomato sauces. Shoulders for carrying buckets of water from the stream to the farmhouse.<<Jennifer to Beth>> Has Chris seen your shoulders?<<Beth to Jennifer>> He’s seen them. But he hasn’t seen them.<<Jennifer to Beth>> I get it, but I don’t get it.<<Beth to Jennifer>> No sleeveless negligees. No direct sunlight. Sometimes when I’m getting out of the shower, I shout, “Hey, look, a bobcat!”<<Jennifer to Beth>> I’ll bet he falls for that every time.
Grade: B
only Pippa!
Pippa doesn’t change much through the story. She falls in love but there isn’t much by way of character growth required. It is Harry who has to shift to be HEA material. I love stories like this because I’m mostly all about the hero. Harry is always a good guy – he doesn’t treat people badly or lie to women about what he’s up for but, essentially, he has to grow up and realise that there’s more to life than being Peter Pan. And, over the course of the book, he finds that those things are things he wants. That it’s time. I spent enough time in Harry’s head that I understood and believed his progression.
Pippa deals with the realities of single-parenting and she’s not blind to the relationship-killer that a small child can be.
Alice was utterly dependent on Pippa, and if listening to her daughter cry made Harry break out in hives and want to shimmy out the window on a rope made of sheets…well, this was going to be the shortest-lived inappropriate affair in the history of the world.
Fortunately Harry is not fazed by a crying child and neither she, nor I, had to hate him.
Harry is good with his hands – he can tune up cars and women (especially Pippa) with equal ease. I love a good handyman, don’t you? 🙂 The build up of sexual tension was fun and the scene where Pippa gets an eyeful of Harry’s crotch when he’s on a ladder fixing her ceiling was hilarious. Come to that, there is a bit of physical humour in the book which I enjoyed – not over the top slapstick, but the sort of thing that actually happens (not that I’m admitting anything, mind you).
He frowned, then entered the room fully. She slid farther away, instinctively wanting as much distance between herself and the source of her humiliation as possible, only to overbalance and slip backward into the tub. Her head hit the wall behind the bath with a thunk and she wound up with her ass in the tub and her legs bent over the side. She pressed her palms to her face.
If the world exploded in a ball of fire right this second, she would be grateful and happy. She wanted to die.
I got the impression that Pippa isn’t a stick figure. Not a lot is made of her physique in the book. She is large breasted and full bottomed and I got the impression of an average woman, complete with a belly and everything. Harrydoesn’t notice any physical flaws and Pippa doesn’t have a poor body image, so it wasn’t a big deal. I like the idea of a heroine who might have a bit of cellulite. It is somehow comforting.
One thing I did notice in this book (and actually, also in Within Reach) was the Pippa didn’t seem to have any close female friends. I’m not sure if it is more about the category word count, but it struck me as a little odd that she wouldn’t have a close female friend or two. Instead, apart from her mother, Pippa was very much alone, until Harry comes along.
Steve is a piece of work but Ms. Mayberry does manage to show his motivations. While they don’t make him any less of a douche, it did provide context and dimension to his character. I wondered whether Harry would adopt Alice at some point and what that might do to his friendship with Steve. And, speaking of Steve, it wasn’t quite clear to me how Harry and Steve were going to manage their friendship going forward. That’s okay, the story wasn’t about Steve and Harry after all, but even though there was some resolution between them about Harry hooking up with Steve’s ex girlfriend and the mother of his (heretofore unacknowledged) daughter, the mechanics of it were unspecified and it was something I was curious about. I grew up in a working class suburb and I’m sure this kind of thing actually happens.
Grade: B+
Holden tries to resist the attraction. But painfully shy yet definitely interested Adam Morgan has Holden longing to conquer his debilitating anxiety and live again. After a grisly discovery on the grounds of the estate, the town of Smithfield turns a suspicious eye on the reclusive Holden—and the two men must trust in each other to bring the truth out in the open.
The dog gave a miniature bark. “I need to take the dog out,” my brother said as if he owned a dog.
“Holden, I got a dog.”
I suppose that Adam has Aspberger’s syndrome but it isn’t explicitly spelled out. He has difficulty reading social cues and this has made it challenging for him to be openly gay as misunderstandings can lead to fist fights. What it did though, was force Holden to be direct and specific so that Adam clearly understood his message. (I actually heard someone on a podcast recently suggest that all men would benefit in being spoken to as if they had Aspberger’s because it would stop a lot of misunderstandings). Adam wasn’t weak though – it is Holden who can’t leave the house. It made for a nice balance between them and gave an opportunity to show Adam as being strong and smart when he was the younger (by 16 years) and less experience partner. Because both of them had their weaknesses, I found it easier to believe they would also see each other’s strengths and the age difference would therefore not have a huge impact. I think if Holden hadn’t been agoraphobic he could easily have seen Adam as less than equal. As it was, he was forced to acknowledge his own weakness and Adam’s greater ability in that area and that evened things out I think.
I like how the Men of Smithfield series is only loosely linked – you could really read any one of the books out of order and miss nothing of any significance. Trooper Tony Gervase only appears when he has a job to do in the story and there are no cameos without a plot driven reason, which is nice to see.
The mystery made sense and had a satisfying ending and by the end of the book, I was confident that Holden had started to get a handle on his agoraphobia and would eventually be able to enjoy life outside even if I wasn’t convinced he would ever be a world traveller again. The story does take place over only a few days so there is a bit of suspension of disbelief necessary to accept the mutual “I love you” exchanged so early, but I was prepared to go with it.
I don’t quite have a picture in my head of how big Smithfield is but I hope it has a large gay populations because I’d love to read more stories set here.
What else? There was one thing I found a bit difficult to reconcile. Holden describes himself during the course of the book as a gay man who “flames” and also as a “rugged and manly” man. He also doesn’t like gay men who “swish”. I thought flaming and being swishy were version of the same thing but I’m no expert on the subject. I can’t quite get my head around a rugged flamer combo. This made it a little difficult to get a handle on Holden actually. I felt my mental piture of him was unclear. It’s a small niggle really I guess and I did enjoy the book even if the whole romance was tremendously fast.
Now…Evan’s business trip to Colombia becomes deadly when he’s kidnapped, and Julia is thrown into a tailspin of horror…and waiting.
For five tortured years Julia does whatever it takes to bring Evan home. Despite her grief and rage at losing the man she loves, she vows to keep struggling. Until she receives a call that shatters her hopes of Evan’s return. “But then…”
She was worn down from the need to be strong for Shelly and Jason, from pretending she believed she could build a life worth living without Evan and from getting up every morning knowing the fight was over and that she’d lost.
And I’ll tell you that I love you, over and over again, so often that it will echo in your mind when you’re sleeping.
I do it now.
Can you hear me?
Grade: B












